While testing the limits of what constitutes sufficient arrangement, the mix certinly isn't a rip and is well-constructed and pleasing to the ear. My attempts have proven all to successful as people claim that my mix hardly deviates from the original at all, although a quick listen will show that I have integrated my own theme with the original and rearranged alot of the executions to make it all one smooth transition."
Arrangement is more additive than alterative, as the ReMixer notes: "I know the original is quite cinematic to begin with, but I thought I would put my own little spin on it while staying true to the original Halo feel. While the choral patches stick out as being exponentially less believable/more synthetic than everything else, the overall production is pretty enveloping, dynamic, and clean. First thing that strikes me here is that sonic quality has improved dramatically, with a pretty rich assortment of piano, ethnic percussion, ensemble strings, horns, choral patches, orchestral percussion, and more. Kris returns with a ReMix that covers Halo and even a little Halo 2 as well, and shares a title in common with one of the numerous, flawed, Next Generation-casted Star Trek films. Krispy's last posted ReMix was back in 2002, which is like a decade in Internet-years, so it's been awhile.